B + TV(x)

Sam has previously stated that “this blog is supposed to be loosely about beer.”  So for twenty minutes, I stared idly at my computer screen, sipping my Yuengling and wondering how I was going to relate this post to the topic of beer.  So here goes nothing.

I like beer.  I also like television.  In fact, I like to drink beer while watching television.  Although I have not taken a math course since 2001, I was able to arrive at a simple yet accurate equation: B + TV(x) = Happy James.  (A problem arises when B is greater than or equal to six beers [read: the six beers I’ll admit to my doctor].  At that point, Happy James is on the verge of becoming Drunk Spector, but that’s another tale).

B clearly represents beer, and TV is obviously television. So, then, what is the x factor (please note: this is not a reference to Simon Cowell’s upcoming talent show on Fox)?  This x factor is usually a road leading to cancellation.   It’s a variation of smart writing, clever producing and on-point acting.   But don’t just take my word for it.  What follows is a spot-on guide by Mitch Hurwitz, the creator of Arrested Development, on how to effectively ensure your sitcom will be canceled:

Have a confusing title

Come up with an unwieldy title that perhaps comes from the realm of psychology, so that the title of your show is almost instantly forgettable. For example, if you were to call the show “Welcome Matt”, an audience could immediately understand the concept: this must be a character named Matt and he must either be a welcoming person or stepped on. If you call a show “Arrested Development” it’s confusing and sufficiently disorientating to guarantee that a wide audience never discovers the fruits of your labour.

Audiences love fast cars and exciting vehicles

So see if you can put in some heavy machinery like a stair-car, that isn’t easily associated with speed or sex appeal.

Try to do too much for a 20-minute programme

If in your particular medium an audience is used to a simple plotline or maybe one or two stories, see if you can get eight in there, and find a way that they somehow intertwine. Also, it’s important that you have a lot of anxiety when they don’t intertwine, sufficient to deprive yourself of sleep so that you are miserable during the production of the show – but then upon completion of the show, you’re guaranteed to be miserable, because nobody will watch it.

Add a sprinkle of incest

They’ll never admit it, but viewers love sex. In fact, they love any sort of titillation, with the exception of incest. So focus on that.

First impressions are everything

So if you can screw that up, you’re made. With Arrested Development, we tried showing the deep disdain that connects a family. We wanted to hold up a mirror to American society. And, just as predicted, America looked away.

Don’t be afraid to give characters the same names

Audiences tend to run from confusion. So a show, for instance, where one character is named George Michael, one character is named Michael, one character is named George and one character is named George Oscar (and perhaps another character is named Oscar), will be the kind of show you can almost guarantee people won’t develop a fondness for.

Make easy jokes about minority groups

Whether they be Mexicans, Jews or homosexuals, any group can be dismissed with a few stereotypical cracks. At least, that’s what we tried to do. And given their “lack of coming to the party”, it seems we succeeded!

Squander iconic guest stars

As an example, Liza Minnelli has famously appealed to the homosexual audience. Note: it’s very important to alienate the homosexual audience first, or they might “come to the party”.

Don’t bother with a laughter track

Audiences don’t always know “when to laugh”. By omitting a laugh track you can almost guarantee they’ll never find out.

Audiences like nicely dressed characters. They also enjoy nudity

Split the difference by putting your character in a pair of cut-offs and call him a Never-Nude. Advanced: feel free to dip him in a vat of blue paint. That’s a real turn-off.

Make a show for British sensibilities

And then show it in America.

At least when TV(x) is removed from the equation through cancellation, I’m still left with plenty of B. Full circle.